In the 50s and 60s, Lata Mangeshkar would sing for the heroine, while Asha Bhosle and Geeta Dutt would sing for the vamp. “Earlier, there”d be one song for the mother, another for the sister, and a third for the mother-in-law,” says Ganesh Anantharaman, film historian and author of the National Film Award-winning Bollywood Melodies: A History of the Hindi Film Song.Īnantharaman also mentions the “merging of the vamp and herione into one” as a reason. ![]() With a reduced focus on the family in Bollywood stories, there are fewer opportunities for female songs. The shifting narrative in Bollywood is another factor. But Secret Superstar is an exception: today’s scripts demand more songs sung by men. ![]() “In Secret Superstar, where the film is about a female singer, there will naturally be more female songs,” Trivedi says. Music composer Amit Trivedi, who currently produces most of the songs sung by women, says it’s simply a matter of what the script demands. ![]() So what led to an explosion of songs that were sung only by men?
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